One of the most dazzling American pianists of her generation, Anne-Marie McDermott has played concertos, recitals, and chamber music in hundreds of cities throughout the United States, Europe, and Asia. She is one of the most versatile, respected, and best-reviewed pianists of our time. McDermott continues her tenure as music and artistic director of the Bravo! Vail music festival, in Colorado, through 2026, which hosts world-renowned artists and orchestras from around the world. She is also the artistic director of the Ocean Reef Chamber Music Festival, in Florida; the artistic director of the McKnight Center’s Chamber Music Festival, at Oklahoma State University; and a former curator of the Mainly Mozart Spotlight Series, in San Diego.

Highlights of McDermott’s 2024-25 season include three performances of the Piano Concerto by the 20th-century American composer Amy Cheney Beach with the Dallas Symphony Orchestra, with which she makes her subscription debut, and with the Springfield Symphony Orchestra (MA); her debut in Galway, Ireland, performing music by Bach, Busoni, and Brahms at a Music for Galway recital; Beethoven’s Piano Concerto No. 4 with the Paducah Symphony Orchestra (KY); Beethoven’s Piano Concerto No. 1 with the Des Moines Symphony, Palm Beach Symphony, and Vancouver Symphony Orchestra USA (WA); performances with the Chamber Music Society of Lincoln Center at Alice Tully Hall in New York City, and on tour in Chicago, Grand Rapids, Kansas City, Ashland (OR), and Vienna (VA); a special chamber music program at the New World Symphony, in Miami Beach, that includes Mozart’s Quintet in E-flat major and Olivier Messiaen’s wartime masterwork Quartet for the End of Time; performances as a member of the SPA Trio—with soprano Susanna Phillips and violist Paul Neubauer—at the Rockefeller University (New York City), and at Arizona Friends of Chamber Music (Tucson); and a chamber music program at the McKnight Center for the Performing Arts, in Stillwater (OK).

McDermott’s 2023-24 season included performances with the Los Angeles Chamber Orchestra and the St. Paul Chamber Orchestra, both resulting in immediate re-engagements. She also performed Mozart with the New York Philharmonic at the McKnight Center in Stillwater. Recent international highlights include recitals in France at the famed Piano aux Jacobins, in Toulouse; performances with the São Paulo Symphony Orchestra at the Cartagena International Music Festival; and an all-Haydn recital tour of China. 

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Ludwig van Beethoven’s Piano Concerto No. 3 in C minor, Op. 37 is one of the composer’s most dramatic and powerful works, marking the transition from the Classical elegance of Mozart to Beethoven’s bold, heroic style. Premiered in 1803, the concerto is filled with intensity, passion, and striking contrasts, from the stormy opening movement to the lyrical beauty of the slow movement and the spirited energy of the finale. Demanding both virtuosity and expressive depth from the soloist, the concerto showcases Beethoven’s growing individuality and emotional force, making it a cornerstone of the piano concerto repertoire.